Stage Write: Next Stage Theatre Festival

January. Ahhhh, January. Post-holidays, we can be a bit slow moving but in our ‘hood, there’s always
something exciting happening that helps us pick up the pace. The first month of every year, in the icy cold of winter,
The Toronto Fringe Festival warms us up with the hottest indie theatre in the
city AND a heated beer tent. In true Fringe style, the tickets are cheap, the
beer is cold, and the shows are hot.


Held
at the Factory Theatre and called the Next Stage
Theatre Festival
, this mini-theatre-fest is a curated line-up of the best independent theatre in Canada that runs from today until Sunday, January 13. In its 6th season, at #NSTF, you’ll see raw, uncensored and exciting
new work from the city’s most vibrant up-and-coming talent. Plus, since the
diverse line-up is chosen by a panel of industry pros, you can trust that the
shows will be solid. Past Next Stage hits have gotten Dora Award nods, remounts
at leading theatres across the country and off-Broadway productions in NYC. Oh,
and have we mentioned tickets are just $15 and box office proceeds go right
back to the artists you see on stage?

Our resident drama queens pick the shows you shouldn’t miss this
week:

Image courtesy of Toronto Fringe Festival

Written by brilliant (and award-winning, NBD) playwright Charlotte Corbeil-Coleman, Sudden
Death
examines the dark underbelly of Canada’s
national pastime to uproariously tragic effect. With the dashing (and super
talented) Tony Nappo starring as hockey legend John “Rambo” Kordic
and the stunning (rock-it promo alum) Melissa Jane Shaw, we can’t wait to see
this one.

Factory Theatre Mainspace: January 2 to 13.


Image courtesy of Toronto Fringe Festival

Fan of Game of Thrones or not, audiences will love Throne of
Games
, a hilarious and unscripted interpretation of the bestselling
medieval fantasy novels that inspired the award-winning HBO series. Directed by acclaimed
actor and improviser Colin Munch and featuring a tour de force cast of Canada’s
most brilliant comedic performers, this one promises belly laughs and even
possible nudity (awesome).

Factory Theatre Mainspace: January 2 to 13.


Image courtesy of Toronto Fringe Festival

One of the hottest shows at Summerworks 2010, Post Eden is
a ‘live film’ about a fantastical day in the life of a fractured suburban
family. Inspired by interviews conducted with actual
residents of Richmond Hill, playwright/director Jordan Tannahill creates a
multimedia production that is a blur between a
documentary and a live theatre show. 

Factory Studio: Thursday, January 3 to 13.


Image courtesy of Toronto Fringe Festival

The 2012 Best-of-the-Fringe hit is back a sold-out run. This comedy (with guts)
about fate, pheromones and the TTC follows Anabel, who gives her heart to a
stranger who disappears with it. With playwright Julia Lederer playing the lead
role alongside Martha Ross and Robin Archer, this show touches on a bunch
of things we like: GoogleShrink, purple plaid and
rom-coms. 

Factory Studio: January 2 to 13.


Image courtesy of Toronto Fringe Festival

Originally performed in a church during Fringe 2011, AWAKE is a
current, cutting show that takes you deep into the heart of one of Toronto’s
most violent neighbourhoods. Set during the funeral of a victim of gun
violence, the production explores the ripple effect of gangs within a
community. Developed over three years, the script was created entirely based on
interviews with mothers who lost sons, gang members, outreach works and police.

Factory Theatre Mainspace: January 3 to 15.

With ten plays on three stages over twelve days you might as well
kick off 2013 by seeing some of the best theatre you’ll see all year. For full
festival listings, to book tickets, or more details, visit http://fringetoronto.com/next-stage-festival/ or call 416.966.1062. Hell, while you’re at it, why not donate to The Toronto Fringe… didn’t you resolve to be a better person this year? 

See you in the beer tent for a hot toddy (or something colder) between shows!

For complete Next Stage Theatre Festival listings click here.







We’re Not Just Pretty: Ashley Ballantyne

You might remember that Ashley Ballantyne used to work on the fourth floor with us, but was offered her dream job at Canadian Stage and hopped over there. We miss her, but it did give us the opportunity to interview her for our We’re Not Just Pretty feature.

Ashley recently joined the team at Canadian Stage, one of the country’s largest non-profit theatre companies, as associate director of communications. Ashley manages publicity for their annual season of contemporary theatre and public relations for the company as a whole.

With a theatre degree under her belt, Ashley left her homeland of Nova Scotia to study corporate communications at Seneca College, then got her first gig at a mid-sized Toronto PR agency, specializing in edible consumer products (mostly chocolate). In her spare time, she volunteers as a publicist for local theatre groups and joined the board of directors for the Toronto Fringe Festival.

After a stint with the lovely ladies of rock-it promotions, she was able to combine her passion for the theatre (and flair for the dramatic) with her love of communications. 


How long have you been in your current position? 
Four months! I am mid-way through my first season with Canadian Stage.

How does your company leverage PR?

PR is about sharing stories, and as a theatre company, it’s our job to tell stories – both on stage and off. We do this through a mix of media relations, social media and marketing communications. 

We’re very lucky to work with incredibly talented artists and theatre companies from Toronto and across Canada on each of our productions. So when it comes to media relations, we have a great list of stories to share about the work being presented or created and the varied careers of the cast and company.   

We use social media as an amazing way to get audience feedback, answer questions, share behind-the-scenes details about our shows and connect with the rest of Toronto’s vibrant artistic community. 

Our PR efforts are directly linked to our marketing and communications strategy – building awareness about a show through advance stories and reviews, creating collateral material like newsletters, programs and e-blasts, creating buzz by sharing media review quotes and audience feedback through online/print ads, and creating and sharing photos, videos and more.

Finally, word-of-mouth is vital to the success of each show. We work hard to build our brand in everything we do. In addition to traditional PR, we’ve created a series of programs that reach different audiences, from artist growth and development, to education and youth outreach to donor events like backstage tours and theatre trips.

What qualities are most important to you when hiring a PR team member?
Experience is important. A PR degree or an internship are great ways to learn more about the industry, meet and learn from the pros and figure out what kind of PR you want to do. Being smart and savvy goes a long way (and sometimes, so does a little sass). That being said, energy and attitude are most important for me – if you love what you’re doing, and you want to be there doing it, then you’ll do it well, and it will show. 

Who gave you your first big career break?
Well, I recently found out that Canadian Stage employees are also allowed to audition once a year for our productions – hoping the biggest break is yet to come… 

Kidding.

I’ve been extremely lucky to have worked with some incredible folks, who’ve all helped shape my career. Dan Tisch (president) and Alison George (vice-president) at Argyle Communications were my building blocks – teaching me everything from the basics to the details and the drive you need to thrive in agency life. 

And Debra Goldblatt (who should write a book on all the brilliant things she knows) really opened the door for me when it came to connecting my communications career with my love of theatre during my time with the rock-it team.  

What’s your biggest piece of advice for PR pros, both junior and senior?
Read the paper/magazine/website or watch/listen to the newscast/show you’re pitching.
Double check the details (twice) before you hit send.
Find a mentor or mentee to learn from/with by listening, observing and sharing in their successes and challenges. 

What do you love most about your job?
Tough one – this will be a toss-up: I love working with people, I love seeing a story about a Canadian Stage show in print and I LOVE that it’s my job to go see plays. 

If you weren’t doing PR, what would you do?
Please refer to question four (career break).  😉 

A little more from the fourth floor:
WebsiteSweetspot.ca, shedoesthecity.com, dailypuppy.com, TorontoLife.com and about a zillion more.
Designer: Valerie Dumaine.
Store: Charlie Boutique on Queen West.
Book: The entire Harry Potter Series.
Snack: Nachos & guac, chocolate chip cookies.
Sexy: Singing in the shower.
Inspiration: My family.
Drink: An ice cold pint of Keith’s OR a classic cosmo.
Motto in two words: Thumbs up.
Idea of perfect happiness: Relaxing on the beach in Nova Scotia (cocktail in hand, toes in ocean).
Indulgence: Mani-pedis.
Celebrity crush(es): Aaron Tveit, Ewan McGregor: Broadway babes who can sing, dance and act.
Favourite tweeter to follow: @2amt and the #2amt hashtag  and, biased, but: @canadianstage!

**Want to win tickets to an upcoming Canadian Stage production?**
Tweet us @rockitpromo and tell us where today’s featured PR pro works. 

One lucky winner will receive two tickets to see Saint Carmen of The Main, a tale of hustlers, hookers and hired killers, from Canada’s best known playwright, Michel Tremblay. The play also features killer costumes, including red leather costumes with eight-inch platforms – on men and women.
 

Think this video.

Congratulations to @ for correctly answering and winning the tickets! Stay tuned for upcoming giveaways.